![]() ![]() Who’s a good friend of mine and a partner on various other projects as well. I mean just, you know, what I needed was another hat, but I was so excited. Can you talk a little bit about that? Of of course. I know you have kind of a big announcement of the, in the last, like two months in the comic book world.Ĭhantelle Aimée Osman: Right. ![]() Since I said, you know, the last, last time we talked a lot about the, what you did kind of leading up to this let’s talk about what you’re working on now. I’m so excited toĬhantelle Aimée Osman: talk today. But Chantelle it’s awesome to have you back. So if you’re listening a hundred percent, go back and, and listen to that at some point. So if, if you’re listening to this and you haven’t listened to that first interview with Chantelle, I urge you to go back and listen because the conversation was so insightful. The last time we talked, we talked a lot about kind of your road to where you are now. I wanted to say welcome back to the Writerly lifestyle podcast.ĭavid Gwyn: I can’t believe you wanted to subject yourself to this again. Let’s not waste any time.Ĭhantelle first. She’s been on the podcast before, so definitely check out those episodes because she is always a wealth of information. She’s also got some really exciting news about graphic novels that we’re gonna share shortly and today she’s going to talk to us about editing our work. She’s a creative writing instructor, an author of the quick and dirty guides too, which we talk about today and is a non-fiction series on writing that I recommend checking. She’s been a freelance editor for over 10 years. Chantel was named to publisher weekly rising star on list in 2020. But today I’m bringing back Chantel AMI Osman.Ĭhantele is the editor of a Agora books, a socially and culturally unique crime fiction and horror award-winning imprint of S books. So that’s a great companion to this episode. They shared the six things to think about when considering an editor or book coach. Last time on the podcast, I talked to Rachel May and Emily Golden who make up golden may editing. The end on a first draft to signing a publishing deal. During season two of the podcast, I’m asking agents, editors and authors, how they suggest writers go from. I’m David Gwyn, a writer with a messy first draft, wondering how to make it shine. Congrats celebrate because now the real work begins. They’re looking at that first page or two as they’re thumbing through, you don’t get that luxury.ĭavid Gwyn: So you’ve got a first draft done. And if you go to the end user, which is the reader in the bookstore, same difference. You’re either in a submission pile for an agent or an editor.Īnd they’re not gonna be like, well, I guess this could turn miraculous 20 pages in they don’t have the time. Chantelle Aimée Osman: Because the thing is at no point in this process, is somebody going to get the luxury of a slow start. ![]()
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